![]() ![]() “They had been making dances and videos together. That is how I first met Charlie, and then I met Douglas,” Gross added. “Charlie Atlas was presenting live performances which he made up and directed. What I noticed right away was her love of color.” “She made wonderful apparel for an hour-long duet for Deborah Riley and me called Foot Rules. Being then in a moment unavailable, he suggested Mimi,” Dunn explained via email. ![]() “I’d been working with Charles Atlas on film, video, and costumes for several years. ![]() Alexandra Berger, Janet Charleston, and Christopher Williams rehearse Douglas Dunn’s Garden Party (photo by Mimi Gross)ĥ41 Broadway between Spring & Prince Sts., third floorĪll dancer and choreographer Douglas Dunn needed to do was give Mimi Gross the title of his new production and the painter, set and costume designer, installation artist, and teacher was off to the races.īorn in California in 1942, Dunn has been collaborating with Gross, a native New Yorker born in 1940, since Dunn presented Foot Rules in 1979 they’ve worked together some two dozen times since, including on 1980’s Echo, 1981’s Skid, 1988’s Matches, 1995’s Caracole, 2007’s Zorn’s Lemma, and 2017’s Antipodes. ![]()
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